Designer
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Pyrex
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Maker
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Pyrex
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Marks
|
Moulded ”PYREX” (in capitals) to base
|
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Description
|
Milky pale blue (turquoise) Pyroceram squared
glass bowl with sides tapering to an indented circular footring, tab handle
moulded to top outside edge.
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Number
|
No number
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||
Production
Date
|
1950s
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Width
|
110mm
|
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Depth
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40mm
|
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Length
(with handle)
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130mm
|
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Weight
|
160gm
|
||
Volume
|
200ml
|
||
Acquisition
|
Purchase
Camberwell
Sunday Market
21
Oct 2013
|
||
|
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Rameking Reference Number
|
PYR 001-004
|
Pyrex is a
name for glassware introduced by Corning Incorporated in 1915. Originally
Pyrex was made from borosilicate glass. In the 1940s the composition was
changed for some products to tempered soda lime glass that is now the most
common form of glass used in glass bakeware and has a higher mechanical
strength so is less vulnerable to breakage when dropped (the main cause of
breakage in glass bakeware).
These ramekins are made from a product called
Pyroceram. The manufacture of this material involves a process of
controlled crystallization. NASA classifies it as a “Glass-Ceramic”
product. NASA used a borosilicate coated quartz sand ceramic tile
to cover the Space Shuttle providing a heat shield to resist the 3,000 degree F
temperature on re entry.
Glass Ceramic
materials share many properties with both glass and ceramics. They have
an amorphous phase and one or more crystalline phases and are produced by a
“controlled crystallization” in contrast to a spontaneous crystallization that
is not usually wanted in glass manufacturing. Glass ceramics usually have
between 30% [m/m] and 90% [m/m] crystallinity and yield an array of materials
with interesting thermomechanical properties.
Pyroceram is
a material developed and trademarked by Corning Glass in 1953. Capable of
withstanding temperatures of up to 450 degrees C (840 F), its development
evolved from Cornings’ work in developing photosensitive glass. Corning
credits S Donald Stookey with its discovery; while he was conducting research
he noted that an accidentally overheated fragment of glass resisted breakage
when dropped. These are an early example.
Another
Australian Pottery, Studio Anna was also catering for the cookware market at
the same time. Introduced by owner Karel Jungvirt around the early
1960s, possibly as an Australian answer to Corning Ware (which came out in
1958), a range of decorated cookware he called Pyro-Ceracraft was developed.
Available in a wide selection of designs and described as oven tableware, this
range of heat resistant ceramics included casserole dishes, pie dishes and
ramekins and was designed to be attractive enough to be brought straight from
the oven to the dinner table.
Glass
ceramics are mostly produced in two steps. Firstly, a glass is formed in
a glass manufacturing process. The glass is then cooled down and is then
reheated in a second stage. In this heat treatment the glass partly
crystallizes. In most cases nucleation agents are added to the base
composition of the glass-ceramic. These nucleation agents aid and control
the crystallization process. Because there is no pressing and sintering,
glass-ceramics have no pores , unlike sintered ceramics. When a liquid
crystallizes during a cooling phase of a process, the molecules organize from a
primary nucleus to form complex structures. These structures continue to
grow until they impinge on neighbouring molecules, then they stop.
Properties of the item depend on the size of the molecular structures.
For crystal
growth to start, a primary process called nucleation has to occur. This
is the focal centre around which the molecules can organize themselves.
The secondary process of crystal growth follows nucleation. A
nucleation agent is a foreign body added to create a new surface on which
crystal growth can happen. Typically this phase takes the form of an agent to
have a good match with the growing crystal
The 2nd World
War saw production of domestic ware drop to fairly low levels at Crown.
Most of their production was servicing the war effort, including contracts for
the US Navy. After the war, some of their early patterns made a comeback,
but much of their production turned to ceramic glazed, colourful but
streamlined and less decorative items, as was the fashion in the 1950s.
Much of their glass was mould-blown or involved hand tooling, but this ceased
in 1968.
During the
1950s and 1960s tableware production continued, especially for homes, hotels
restaurants and milk bars. In 1963 Crown Crystal became a division of
Australian Consolidated Industries (ACI) which set up a joint venture with
American company Crown Corning in 1968, known in Australia as Crown Corning
Ltd. In 1998 ACI became an affiliate of Owens-Illinois in the USA, one of
the world’s largest manufacturers of glass containers and a leading glass
equipment manufacturer.
Crown Corning
is now known as Crown Commercial Pty Ltd and continues to produce a large range
of glassware for both commercial and domestic markets. Ramekins of this
type are not in the range. The Crown Crystal Glass Company merged with
the American company Corning in 1972 to become Crown Corning.
There is now
quite a bit of evidence that Crown Crystal was copying patterns from overseas
after 1932. Copied patterns have confused collectors so be careful on
Internet auction sites. In a case of what goes around comes around,
Australian glass patterns are now also being copied, so be doubly
careful. For more information, look at http://www.ozcrowncrystal.com/
because that is where a lot of this has come from. Glass is not my area
and they have some very interesting information.
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