Wednesday, May 29, 2013

Colourware Pottery



Designer        
Hans Wright
Maker
Colourware Pottery
Marks
Incised “Colourware Pottery” to base
Material
Glazed slip lustre glaze
Description
Shallow rounded bowl angled inwards at top.  Unglazed footring with lustre glaze to outside and spoon handle angled upwards form centre of bowl body.  Matte cream glaze to interior.  Banded brown glaze to exterior.  Slight overspray of lustre glaze to interior rim of bowl.
Condition
Very good
Number
No number
Production Date
Late 1980s
Width at rim
110mm
Width at Base
70mm
Depth
50mm
Length (with handle)
165mm
Weight
220gm
Volume
375ml
Acquisition
Salvo stores Brandon Park 29th May 2013.
Rameking Reference Number
COL 001-002

Colourware Pottery seems to be a brief continuation of Hanstan.  Hanstan Studio Pty Ltd ceased as a company on the 8th of January 1988.  Like “Diana” producing later versions  (Dana) and Nefertiti, or someone from Southern Aurora, Hanstan, or a person associated with the works, continued with the production of a limited range of pottery.  This lustreware came in a small variety of patterns from ashtrays to kitchen canisters.  “Lustre” is an effect produced by a second (reduction) firing of the body with a metallic oxide glaze (bismuth oxide) in a slightly cooler kiln.  This gives the product a metallic gold, silver or bronze appearance.  The design, size and shape of these ramekins is identical to those made by Hanstan, only the glaze and signature are different.

Hanstan were mostly made on Victoria's Mornington Peninsula,in the 1960s to the early 90s.  I have been told that their pottery was located at Mornington in the Industrial area.  Starting in 1962, most of their considerable output was domestic or kitchenware so they don't appear on the radar of most of the trendy wanker collectors. Have a look in any op shop and there is sure to be at least one piece.
 
Hanstan output was originally mostly marked with a large incised signature "Hanstan" to the base. Other later works had either a black stamp or a black and gold sticker. These were used after Hanstan moved from hand painting to transfer designs.  These are incised “Colourware Pottery” in a similar script.


 Hanstan on the left, Colourware Pottery to the right

Hanstan refers to Hans Wright and Stan Burrage. The partnership apparently didn’t last long as I was told the two had a falling out in the early sixties with Hans and Mrs Wright continuing the pottery.  Hans Earle Wright was a salesman turned potter turned archer. He was born in the mid 1930s and completed an art course at the Melbourne Technical College, now RMIT. He started out helping a fellow student make jewellery. He married Patricia, a nurse and then moved from Sandringham to Mount Eliza.

Hans had more than one string to his bow, being Australia's best archer, he won about fifteen Australian Championships. Hans would train archers in the factory, believing that the noise of the pottery would make the archers less likely to be distracted in competition. Good for the archers but somewhat off putting for the potters. There is no record of anyone being hit by an arrow. I wonder what the Health and Safety people today would make of this. Mrs Wright would manage the pottery when Hans went off to the many archery competitions he took part in.

For two years from age 19 to 21 well known former graffiti artist Arjuna Watson worked at Hanstan Pottery Studio, hand-painting floral Christopher Vine designs. (Afterwards he makes himself a promise: “I will never paint an iris again”.) Christopher vine would come to the pottery whenever he came up with new lines. Thanks AJ for the info. If anyone has more information about this pottery, I would be pleased to hear from you. I know you are still out there Hans.

The Stan was Stanley Leonard Scud Burrage who was born in Robinvale Victoria on the 7thof December 1935 and was christened at Traralgon, Victoria one year later. Like Hans, he originally worked in sales but together they began Hanstan pottery at his parents, George and Elsie (Weymouth) Burrage’ home and poultry farm on Springvale road, Springvale, Victoria in 1962. 

The partnership dissolved in 1964 and Hans then continued the business in Mornington,  Stan and wife Helen went overseas for two years then they moved to the bayside suburb of Mentone, where they ran a hardware shop in Hampton for two years. then back to Vinifera near Swan Hill to be an Orchardist betweenn 1972 to 75.  Later, in the early 1980s, Stan worked as a contractor in Dingley, Victoria.  Stan died too young at the age of 52 in Montrose Victoria on the 1st of March 1987

The Wrights lived in Mount Eliza and worked in the neighbouring town of Mornington. Hans is reputed to have been a bit of a workaholic. The pottery was run as a fully commercial operation, producing mainly domestic wares.  Staff served a form of "apprenticeship" doing routine process work before graduating to more involved work. Starting in the sanding booth, cleaning up the bodies from the moulds before moving on to glazing, then if you were good enough, or had lasted the distance, decorating.


Tuesday, May 21, 2013

Fry, Stephen Fry?




Designer        
Stephen Fry?
Maker
Stephen Fry?
Marks
Painted initials “SF” to base
Material
Glazed earthenware clay
Description
Heavy rounded sided bowl with large open-ended trumpet handle angled upward from top side of bowl. Flat base.
Condition
Very Good, small chip to inside of handle on one ramekin.
Number
No number
Production Date
Early 1980s
Width at rim
125mm
Width at Base
60mm
Depth
50mm
Length (with handle)
177mm
Weight

Volume

Acquisition
Purchase
Salvos Store, Hastings
21st May 2013
Rameking Reference Number
STF 001-005

Well, another milestone, one hundred and fifty posts.  These are a bit of a mystery.  The nearest I can come to identifying these is Stephen Fry.  No, not that Stephen Fry.  I think these are an early example of the work of this Stephen Fry who trained at the Salisbury College of Advanced Education in South Australia. The initials on the base seem to be very close to those of his later pre-ant stamp.  He was a resident potter at the Cransley Craft Centre in Campbelltown, NSW, before establishing his own workshop and teaching facilities at Couridjah, NSW. In 1981, approximately 30 people were using the Couridjah Pottery facilities. In 1985, Fry had recently worked in Japan, exchanging a studio and getting a chance to use a Bizen kiln. This information all comes from Fry’s entries in the 1981 and the 1985/1986 potters’ directories. Fry marks his work with an impressed ant or with his incised initials.  No, this information comes thanks to “Australian Pottery Marks.”

So, if I am wrong, please tell me who it is.

Tuesday, May 7, 2013

Still Going Strong (Ray Cook)

This morning, as is my habit, I called into my favourite coffee shop Cote Terra in Oakleigh, Victoria for my caffeine hit. As I stood there waiting for Joe to make it with his usual artistic flair, this vision appeared before me. Isn’t it great that after sixty years, some Ray Cook (Raynham) ramekins are still going strong. And yes, there are baked beans in it.